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missturdle:

On the importance of Magical Girl Heroines & Weaponized Femininity: 

Let me start by saying that officially speaking, Sailor Moon is older than I am. I started watching while living in Singapore while I was four, so I definitely came in around the end of Sailor Moon R and watched Sailor Moon S despite the fact that it was played in Japanese with Chinese subtitles. When I moved back to the States, Sailor Moon started being released and aired in sub and dub form and being young and happy to actually hear a language I understood with a show I already liked, I watched the dubs. They’re not the shining star of any animated dub, but I went back several times as I got older, and rewatched the series, in dubs, in subs, all 200 episodes. I changed my self-identified scout, I understood what got cut out of the show, what was censored, I went back and relived my crush on Tuxedo Mask again…and again. In terms of “formative  media” Sailor Moon is probably near the top of the list. I still have the sticker book I had when I was 5/6 that has a page dedicated to these magical girls, and they’ve been with me a lot longer than almost anything else, including Harry Potter, Avatar: the Last Airbender, and most other narratives, superhero, fantasy, or otherwise. 

When I got the chance last year, I showed one of my girl cousins (who was twelve) the first episode of Sailor Moon. She came back to me about a week or so later and was maybe thirty episodes into the series, bursting with excitement over everything and every one. 

I stopped to think about how much that meant to me. Then I thought a little harder. One of my best friends gave me an opportunity to cosplay as Sailor Scouts, and I leapt at the chance. I accidentally stumbled across the newer series Puella Magi Madoka Magica, and marathoned all twelve episodes. Then I made my best friend watch it.

Why does Mahou Shoujo stick with us? The show I loved when I was six is something I love when I’m twenty, and something my cousin who is a tween also loves. For that matter, Puella Magi is, essentially, an update of the classic Magical Girl story, with some genre subversions thrown in. What makes magical girls so important?

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Reblogging this because FiM fits enough of the traits of a magical girl series that I think a lot of this applies to it. It’s a series about women in power, women saving the world (using rainbow friendship powers), women’s friendships with other women, and women and girls at different stages of their lives trying to find their places in the world. And I love it for that.

Also I just love the phrase “weaponized femininity.”

(Source: turdlewexler)

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Woah! I think I’d like to see more anthro pictures from you, if they’ll all look this good. I like how you made Pinkie Pie pleasantly plump. Too often people make her super skinny which never made sense to me.

Thanks! I too prefer seeing her being a bit chubby, both because I feel like it fits her character and because I just think she looks good that way.

Honestly that’s part of the point of body-type variation to me. Like, there’s the very serious angle of depicting physical diversity. And that’s important. But then there’s also the angle where I find plump Pinkie and bony, flat-chested Dash and muscular AJ and curvy Rarity all really attractive. Much more so than if they all had the same generically thin and busty body type.

And I think that’s important too, honestly. I think celebrating physical diversity with “oh wow, every body type is hot” is going to get further than grim acceptance.

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babysealburritos:

howdoponieswork:

babysealburritos:


I’m not really sure what it is, but when I come across things like this it really rubs me the wrong way. I’m sure I’ll get over it.

“The quiet, shy pony with low self-esteem who isn’t good at asserting herself is the perfect woman.” Oh hey wow nothing creepy about that at all.
Not sure if that’s the aspect of this that bothers you but that’s my take on it. I mean, I love Fluttershy but I have many of the same problems she does and I don’t really get the widespread attraction to her.

I think it’s that on top of the fact that I keep running into things that allude to the fact that no woman will ever be as good as a cartoon pony and thus should stop trying. I realize that it’s a small portion of the fandom, but it’s insulting and demeaning.
It’s odd since I’m not inclined to get offended over things like this, but this just chafes. 

It occurs to me that this may be an unintended side-effect of the fact that the show depicts its female characters as actual people. If a man has never engaged women as fellow people, then rather than causing a change of heart seeing this show might just make him wonder why real women aren’t as interesting as these ponies. Of course, women are that interesting, but he assumed they weren’t and so he never looked. But this is just a guess, and it could be any number of things.

babysealburritos:

howdoponieswork:

babysealburritos:

I’m not really sure what it is, but when I come across things like this it really rubs me the wrong way. I’m sure I’ll get over it.

“The quiet, shy pony with low self-esteem who isn’t good at asserting herself is the perfect woman.” Oh hey wow nothing creepy about that at all.

Not sure if that’s the aspect of this that bothers you but that’s my take on it. I mean, I love Fluttershy but I have many of the same problems she does and I don’t really get the widespread attraction to her.

I think it’s that on top of the fact that I keep running into things that allude to the fact that no woman will ever be as good as a cartoon pony and thus should stop trying. I realize that it’s a small portion of the fandom, but it’s insulting and demeaning.

It’s odd since I’m not inclined to get offended over things like this, but this just chafes. 

It occurs to me that this may be an unintended side-effect of the fact that the show depicts its female characters as actual people. If a man has never engaged women as fellow people, then rather than causing a change of heart seeing this show might just make him wonder why real women aren’t as interesting as these ponies. Of course, women are that interesting, but he assumed they weren’t and so he never looked. But this is just a guess, and it could be any number of things.

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Brony privilege

Bronies? Male bronies? If you think it’s stupid when girls don’t want to be called bronies, then you really need to shut the fuck up unless you would take being called a pegasister without comment. If you could deal with being called a pegasister, if you could calmly accept it when someone insisted on calling you one even after you corrected them, then you’re allowed to have an opinion on it. Otherwise I’m not interested.

This isn’t an issue of women being too sensitive. This is an issue where a portion of the female fanbase is still way less sensitive than most men are.

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a brief monograph on the topic of the strong female character:

gyzym:

Right okay so here’s the deal: strong female character? Is an awesome, awesome term when it means “strongly written female character.” Please assume, for the duration of this post, that that is what *I* mean when I’m using it; I don’t know what everyone else means, and maybe I missed some kind of memo or something, but as I am getting the impression that I would have torn that memo up if I had received it, it’s probably for the best. 

Here are some things a strong female character NEEDS to have: 

  • Consistent characterization
  • A personality/life purpose that is not hinged solely on furthering the plots of the men around her
  • THAT’S IT

Here are some things a strong female character CAN have, but does not NEED to have: 

  • A vagina
  • A sex drive 
  • A take-no-shit attitude
  • A gun fixation 
  • The tendency to tell dudes to go fuck themselves

Here are some things a strong female CAN’T have: 

  • [Data not found] 

Here are some things we need to stop doing, as a population of human beings: 

  • Defining people, for the positive or negative, solely based on their genders 
  • Determining what women “can” or “cannot” be in order to be considered “strong” 
  • Shaming each other for our behaviors, opinions and actions instead of contributing to change 

THAT’S ALL, THE END

I usually add commentary to my reblogs but I think I’ll just leave this here. Feminism in media: always on topic in my blog.

(via adventuresofcomicbookgirl)

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babysealburritos:

pinkiepieadvice:

Wait, what? What’s wrong with being friends with someone?

It’s definitely super sad when you’re sweet on someone and they don’t like you back, for sure! But you shouldn’t ever, ever, ever expect someone to like you back just because you like them! No one’s obligated to have feelings for you!

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And just like this, blog moderator earns my eternal respect.

One of my ideas for a possible resolution to Spike’s crush on Rarity is for him to eventually become an Internet Nice Guy. Have an episode where he rescues her and gives her stuff and does nice things for her, becoming increasingly frustrated that she doesn’t return his affections. He confronts her about it and tries to get her to agree to one date. It goes poorly, and he feels terrible about what he did and accepts that Rarity might never want to see him again, so he’s ecstatic when she offers to remain just friends. He learns that there’s no amount of favors that can make someone owe you love, and that friendship alone is a wonderful thing and shouldn’t be taken for granted.

I suggest this because I think this is a lesson that young girls and adult male nerds both really need to hear.

Link

I’m sure plenty of people saw this on EqD already, but I thought this was a good look at FiM from a feminist perspective and I wanted to give it a link.

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FiMinism

I think a lot has already been said about the feminist viewpoint of the show. Faust herself perhaps said it best: “There are lots of different ways to be a girl.” So I’m not going to retread all of that. Well, not right now anyway. I just wanted to talk about what I think is one of the most important and subversive aspects of FiM.

There are lots of ways to be a girl, yeah. But not only that, no particular way is described as being more or less quintessentially “girly.” There’s no tendency for girls to be a certain way and no rule that they ought to be. Rather than saying that girls don’t have to be girly, or trying to expand the scope of behaviors included in girliness, it rejects the idea of girliness entirely.

Rainbow Dash is a tomboy from our perspective, but there’s no indication that anyone sees her that way within the show. Nobody calls her a tomboy or says she’s a good athlete “for a girl.” And when she races those two colts she doesn’t have to tell them not to go easy on her because she’s a girl. The impression I get is less that she would be insulted by the idea of such “chivalry” and more that she’d be baffled by it. I don’t think she’s ever heard of the idea that a stallion would be stronger or faster or more capable than a mare.

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